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Kahnawake hosts their 4th annual Rotinonhsyón:ni Language Gathering

Kahnawake hosts their 4th annual Rotinonhsyón:ni Language Gathering

By Lindsay Monture The gymnasium of the Kahnawake Survival School beamed with shared Kanyen’kéha teaching and learning practices Monday during the 4th Annual Rotinonhsyón:ni Language Gathering. The day featured 7 Kanyen’kéha speakers presenting a variety of teaching methods and their language journeys to explore approaches to language from different perspectives. The first presenter was Iakotetshenen

By Lindsay Monture

The gymnasium of the Kahnawake Survival School beamed with shared Kanyen’kéha teaching and learning practices Monday during the 4th Annual Rotinonhsyón:ni Language Gathering. The day featured 7 Kanyen’kéha speakers presenting a variety of teaching methods and their language journeys to explore approaches to language from different perspectives.

The first presenter was Iakotetshenen Jennifer Jacobs on the practice of teaching Kanyen’kéha through cultural practices in an elementary immersion school. A part of Iakotetshenen’s teaching technique involves having a woodstove in the classroom to practice longhouse ceremonies, teaching the Peacemaker story, medicines through song and dance, the roles and responsibilities of men and women, planting and harvesting, the changing of the seasons and environment among many others. The class share stories through art, beadwork, play writing and storyboarding. By bridging language with culture, the students learn what it means to be Kanyen’kehá:ka from the ground up.

The Kahnawake Survival School’s language department presented their initiatives for encouraging student language growth outside of the classroom. This includes students taking on the responsibility of co-teaching other students to enhance their own language ability while supporting their peers, providing them with a positive exchange of knowledge. Students breaking off into small groups are given simple starter questions to allow the language to grow organically in discussion. They are also given homework with a family member to continue language usage in the home environment. The department also shared their Red Sheet technique to encourage language usage within the school, outside of the classroom with teachers giving out house points each time students use Kanyen’kéha in the halls or cafeteria.

After the lunch break, Kanentokon Hemlock shared a report on the UN Expert Group Meeting on Indigenous Languages, bringin together Indigenous peoples from all over the globe to share statistics on the current state of their languages as well as the dire need of language revitalization.

The report includes findings that there are 6700 languages that exist globally today. At least 4000 Indigenous languages make up the world’s linguistic diversity, and 3000 of those languages are in serious danger of becoming extinct.

According to the Endangered Language Project, the current status of Rotinonhsyòn:ni languages are as follows; there are less than 4000 speakers that remain of the Kanyen’kéha language, which is deemed a threatened language. The Oneida language is deemed endangered with less than 200 speakers. The Onondaga and Seneca languages are critically endangered, both with less than 50 speakers. The Cayuga language is severely endangered with less than 100 speakers.  The most startling is the Tuscarora language with only 1 first-language speaker remaining, although there is now a great push for Tuscarora language revitalization in Buffalo. It is estimated that 1 language dies every 2 weeks.

Kanentokon then shared the Mokuola Honua Centre for Indigenous Language Excellence’s work in supporting Indigenous language revitalization across the globe. They draw many connections between different cultures in terms of language loss, misconceptions of Indigenous languages leading to under developed English academic standards, and other commonalities.

Thotharatyie Joe Brant, Principal of the Quinte Mohawk School in Tyendinaga shared his story of learning Kanyen’kéha for himself at first, then quickly as a top priority in his life to raise a family of first-language speakers. He broke down his methods into three parts: language loyalty, reclaiming domains and natural language acquisition. Language loyalty refers to the amount of focused time and effort one dedicates to learning a language. Reclaiming domains allows speakers to expand their language abilities pertaining to activities that are of interest, so that language sticks when put into context. Natural language acquisition allows speakers to learn in an organic environment, surrounded by other speakers, friends and family, as opposed to acquiring knowledge through language programs.

Kahrhowane McComber shared his vision for the Language and Leadership Pilot Project and implementing a traditional leadership support program. Learning our languages and regaining what was lost in the generations before us can at times involve many psychological and emotional barriers we need to overcome. The Language and Leadership Pilot Project provides the much needed support for speakers to continue learning through those challenges.

Ryan Decaire, a former Onkwawenna Kentyohkwa student and current Kanyen’kéha teacher at the Ratiwennahní:rats adult immersion program in Kahnwake, shared his experiences in continuing his language growth through learning from first-speakers and elders. He emphasized that learning our languages is a life-long commitment and not something that can be done in any two-year immersion program alone. Learning our languages is much more challenging than we expect it to be as second-language speakers. There are many reasons we choose not to learn it, and many barriers we face, but we can overcome all of them with the right amount of support, resources and dedication.

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Lindsay Monture

Lindsay Monture

Lindsay Monture is Mohawk from Six Nations of the Grand River Territory and is a recent graduate from York University with a Bachelor of Arts in Film and Media Studies. With over 7 years experience working in film and media fulfilling such roles as writer, videographer, editor, photographer, production assistant, production designer, makeup artist and art department, Lindsay dedicates much of her time supporting many artistic fields. In the past, she has worked for Indigenous organisations such as the Metis Music Ensemble, Kaha:wi Dance Theatre and Native Earth Performing Arts.

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